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Bluth's passion for the Art of Animation is
the driving force that fueled his film career for a period of more than
four decades. According to Bluth, he was not driven to animation but
extremely attracted to it mainly because of the sheer beauty of its look.
Don grew up on the early Disney films, Snow White, Bambi and
Pinocchio. He was only four years old when these pictures inspired
him. He knew immediately that someday, it would be part of his world.
Bluth is considered by some critics to be
unique in that he successfully challenged the powers of the ‘Mouse House,’
as a serious competitor, bringing to the silver screen such memorable
milestones as The Secret of NIMH, An American Tail, The
Land Before Time, and Anastasia.’ All in all, Don and his
partner, Gary Goldman, produced twelve animated features and three video
games including, Dragon’s Lair and Space Ace.
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The Man
Himself
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If you were to pass Don while walking down the
street, you might not even notice him. Certainly you’d never peg this
slight-of-build-mild-mannered man as driven by a relentless pursuit of
excellence in the arts. You’d get no hint of it from his dress, or his
casual ‘hello.’ The Levi's, Jockey T-shirts and runner boots are pretty
standard for an ordinary Joe Blow, but invite him to talk on the subject
of animation from the golden years, or talk about the pioneer of that
movement, Walt Disney himself, and another creature, somewhat startling,
will reveal itself. It’s like flicking a switch that illuminates a room.
Here’s how he would describe it.
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"As far back as I can remember, maybe as early
as age four, I knew something fabulous was in my future, and was coming
steadily towards me. I couldn’t give it a name at the time, but
nevertheless, there was this undeniable feeling of anticipation. It was
like the memory of a dream, only in reverse, if you know what I mean? I
just assumed that everybody else had the same feelings, but when I asked
my older brother, Bob, about his future from my lowly position on the
bottom bunk, he snapped back, ‘ shut up and go to sleep; you’re an idiot
and a dreamer,’ I liked the dreamer part. God bless the dreamers; they
make things happen. I think Bob unintentionally paid me a complement.”
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Accolades
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Don Bluth is one of the most acclaimed
directors and animators in the industry. His peers from all over the world
admire him for his creative talents as well as his versatility in bringing
memorable characters to life. He designs the characters, serves as Key
Storyboard Artist, and when the mood strikes him, he has also been known
to compose some clever songs and collaborate on most of the scripts for
his projects. Both he and his partner, Gary Goldman are responsible for
the training of over 1000 artisans that currently populate the industry.
Bluth was born into a family of seven children
in El Paso, Texas. He grew up on a dairy farm in Payson, Utah in a highly
creative environment. When he was not milking cows, he was drawing
cartoons. Animation captured his fancy and soon he was dreaming about
working for Walt Disney. In 1955 he graduated from high school, and
immediately took a portfolio of his drawings to the Disney studios in
Burbank where he landed a position in the animation department as an in-betweener.
Bluth worked at Disney from 1955 through 1956 on the classic motion
picture Sleeping Beauty. He left after one year to follow other life
pursuits, re-entered the animation field in 1967 at Filmation Studios and
finally returned to Disney in 1971. During his ten years working at the
Walt Disney studios, Bluth had four fantastic mentors, John Lounsbery,
Frank Thomas, Milt Kahl, and Wolfgang (Wooly) Reitherman. According to
Bluth, the one he learned from the most was John Lounsbury. He was
generous, knowledgeable, and I was dating his daughter. In 1979, Bluth,
along with Gary Goldman and John Pomeroy, founded Don Bluth Productions.
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